A n
d r
é F a u t e u x
Curriculum Vitae
Born, Dunnville,
Ontario, Canada. 1946
Studied: Central
Technical School, Toronto, 1966-7
Solo Exhibitions
2007
Moore Gallery, Toronto
2005
Moore Gallery, Toronto
2003
Sable-Castelli Gallery, Toronto
1991
Galeria Antonio de Barnola, Barcelona
1990
Klien Art Works , Chicago
1990
Gallery One, Toronto
1990
49th.Parallel, New York
1989
Ball State University Art Gallery, Muncie,
Indiana
1989
Gallery One, Toronto.
(catalogue)
1988
Gallery One, Toronto.
(catalogue)
1986
Gallery One, Toronto.
1985
Contemporaries II “ Ball State University
Art Gallery, Muncie, Indiana.
1985
Gallery One, Toronto.
1983
Sable - Castelli Gallery, Toronto
1982/3
André Fauteux Ten Years” organized and originating
at The Agnes Etherington Art Gallery,
Kingston, Ontario,and raveling to
The Art Gallery of Hamilton, The Art
Gallery of Windsor and Sir George Williams Art Gallery,
Concordia University,
Montreal. (catalogue)
1982
Sable - Castelli Gallery, Toronto.
1981
Sable - Castelli Gallery, Toronto.
1980
Salander - O’Reilly Gallery, New
York. (catalogue)
1980
Harbourfront Art Gallery, Toronto
1979
Sable - Castelli Gallery, Toronto.
1978
Sable - Castelli Gallery, Toronto.
1977
William Edward O’Reilly Gallery, New York.
1977
Sable - Castelli Gallery, Toronto.
1976
Owens Art Gallery, Mt.Allison University,
Sackville, New Brunswick (catalogue)
1976
Dietcher / O’Reilly Gallery, New York
1976
Sable - Castelli Gallery, Toronto
1975
Jared Sable Gallery, Toronto
1974
Jared Sable Gallery, Toronto
1973
Dunkleman Gallery, Toronto
1971
Dunkleman Gallery, Toronto
Group Exhibitions
1991
Academia de Belles Artes, Sabadell, Spain
1991
La Rectoria, Sant Pere Villamajor,
Barcelona, Spain
1990
Sculpture of the Americas in the 90s,
Museum of Modern Art of Latin America, Washington DC.
1990
Steel Smiths, U. S. Steel Tower, Pittsburg.
1990
Centre D’ART la Rectoria, Sant Pere
Villamajor, Catalonia
1987
Greenburger Foundation Awards, Jack
Gallery, New York and the Mira Goddard Gallery, Toronto.
1987
Triangle Barcelona, Casa de la Caridad,
Barcelona.
1987
Artscape “ Burlington Cultural Centre,
Burlington, Ontario.
1986
Contemporary Sculpture from the Art Bank
Collection “ Washington Square, Washington D.C. Selected by Michael
Botwinick, Corcoran Gallery, and traveling to Pittsburgh, Atlanta,
Dallas and San Diego
1984
Toronto Sculpture
Garden.
1983
1978/1983 “Gallery One”, Toronto.
1982
Contemporary Outdoor Sculpture at the
Guild Inn, Scarborough, Ontario.
1981
Sculpture 81, Dalhousie Art Gallery,
Halifax, Nova Scotia.
1981
Constructivist Heritage, Harbourfront Art
Gallery, Toronto.
1981
Sculpture from the Art Bank Collection,
University of Lethbridge, Alberta.
1980
From the Art Bank Collection, The Gallery,
Stratford.
1979
Bentham/Murray/Fauteux, UNESCO, Paris.
1978
Selections from the Art Bank Collection,
the Mendle Art Gallery, Saskatoon, Saskatchewan.
1978
Certain Traditions, Recent British and
Canadian Art “, Edmonton Art Gallery, Glenbow Museum, Calgary. The
Mendel Art Gallery, Saskatoon. The Art Gallery of Windsor. The Art
Gallery of Hamilton. London Regional Art Gallery, London Ontario.
Memorial University, St.John’s, Newfoundland.[ IN BRITAN:] Lhandudno,
Wales and The Commonwealth Institute, London.
1978
Performance ,
Harbourfront Art Gallery, Toronto.
1978
Sculpture out of Doors , Agnes Etherington
Art Centre, Kingston, Ontario.
1978
Monumental Sculpture, Toronto Dominion
Centre, Toronto.
1977
Westerlund/Fauteux, Sable Castelli
Gallery, Toronto.
1977
New Abstract Art, Edmonton Art Gallery,
Alberta.
1977
Lines Limits Projections, The Gallery,
Stratford, Ontario.
1977
Rehearsal , Harbourfront Art Gallery,
Toronto.
1977
Eleven Sculptors, Musée d’Art
Contemporain, Montreal.
1976
Ontario Now, Kitchener Waterloo Art
Gallery and the Art Gallery of Hamilton.
1976
Abstractions, XXI Olimpiad, Montreal.The
Gallery, Stratford, Ontario. Canadian Cultural Centre, Paris,Canada
House, London, UK
1975
The Condition of Sculpture, The Hayward
Gallery, London, U.K.
1975
Up Front 75,Toronto.
1975
Eight from Toronto, The Winnipeg Art
Gallery and The Cranbrook Academy of Art, Bloomfield Hills,
Michigan.
1974
C.N.E. Sculpture Show, Toronto.
1971
Five on the Scene, Isaacs Gallery, Toronto.
1968
Two Canadians, Gallery Ivan Spence, Ibiza,
Spain.
1968
Salon de Mayo, Barcelona, Spain.
1967
Colour and Form Society, Hart House
Toronto.
1966
Picture Loan Society, Toronto.
Bibliography
Denis
Lessard 2004 Allgemeines Künstlerlexikon)
Kenworth
Moffett, Abstract Art The Present Situation, Moffett’s Art
Letter, 1986 The New Criterion, June 2002
Linda Genereux,
About Art, Canadian House and Home, Feb. /Mar. 91.
Karen Wilkin,
Partisan Review, summer, 1990
Linda Genereux,
Artforum, December, 1989
Donna Lypchuk,
Metropolis, Toronto, September 14, 1989.
Linda Genereux,
Metropolis, Toronto, August 25, 1988.
Jordi Belver, La
Vanguardia, Domingo, Barcelona, August 21, 1988.
Joana Uribe,
Tiempo, Madrid, June 8-14, 1987.
Vitoria
Combalia, El Pais, Barcelona, June 5, 1987.
Pilar Cabballeo,
Diari di Barcelona, May 29, 1987.
Rosario Fontova,
El Periodico, Barcelona, May 22, 1987.
Ken Carpenter,
Art Post, Feb.-March, 1987.
Kenworth
Moffett, Moffett’s Artletter, April 1986 & September 1986.
Karen Boots,
Ball State Daily News, March 8, 1985, Muncie , Indiana.
Clara Hargittay,
“The Canadian Encyclopedia”, Hurtig, 1985.
Karen Wilkin,” A
Triangle Journal”, Update Magazine, May-June, 1984.
Karen Wilkin,
“Triangle Workshop...”, The Art Post, November, 1983.
David Burnett
& Marilyn Shiff, “Contemporary Canadian Art”, Hurtig, 1985.
Gilles
Daigneault, Le Devoir, May 28, 1983.
Lawrence
Sabbath, The Gazette, Montreal, May 28, 1983.
Joy Hakinson
Colby, The Detroit News, January 22, 1983.
James Elliot,
The Windsor Star, January 22, 1983.
Bill Hutchinson,
The Whig Standard-Magazine, Kingston, Ont., Nov. 20,1982.
Terry Fenton,
Update Magazine, February, 1982.
Karen Wilkin,
“André Fauteux/ Ten Years”, catalogue essay, 1982.
Clara Hargittay,
“Constructivist Heritage”, Artsmagazine, May/June, 1982.
John Russell,
NEW GALLERY OFFERS SURPRISING AMERICANA ,The New York Times, July 17
1981.
Karen Wilkin, “
The Sites of Halifax “, Art News 1981.
Karen Wilkin, “
Sculpture 81” exhibition catalogue 1981.
Ilene Susan
Fort, Arts Magazine, November 1980.
Phyllis Tuchman,
catalogue essay, Salander / O’Reilly Gallery, September 1980.
Phyllis Tuchman,
Artsmagazine, November / December 1980.
Anita Aarons,
catalogue essay, Harbourfront Art Gallery, August 1980.
Karen Wilkin,”
Late Blooming Vitality of Toronto Art “, Art News, February 1980.
Christopher
Youngs, catalogue essay, “Bentham Murray Fauteux “, UNESCO.
Paris 1979
Woods, Kay.
"Harold Klunder, Andre Fauteux," Artscanada, August-September, 1979.
pp. 52-53
James Purdie,
the Globe and Mail, April 21, 1979.
Graham Peacock,
"New Abstract Art: A survey of thrends across Canada". Artmagazine.
March/April (1978): page 24-27 & 57
John Howlan,
Artists’ Review, June 28th. 1978.
Lutz Haufschild,
“ Conversation with Anthony Caro “, Arts magazine, June 1978.
Karen Allen, “
Rehearsal at Harbourfront “, Artmagazine, May 1978.
Joan Murray,
selections from an interview, Artmagazine, 1978
Ken Carpenter, “
New Abstract Art “, Artmagazine, 1978.
Karen Wilkin,”
Certain Traditions “, catalogue essay, 1978.
Karen Wilkin, “
Certain Traditions “ Artsmagazine, September 1978
Karen Wilkin, “
Four Canadian Sculptors “, Artsmagazine, May 1978
Ben Jones,
Artscribe, 1978.
Phyllis Tuchman,
“ International Sculpture “ Art in America, 1978
Phyllis Tuchman,
Art in America, May / June 1978.
James Purdie,
Art News, January 1978.
Peter Frank, Art
News, February 1978.
Andrew Bodor,
Artists’ Review, October 1977.
Michael
Greenwood, Arts Canada, February / March 1978.
James Purdie,
the Globe and Mail, May 28th.and October 29, 1977.
Edda Sepp,
exhibition catalogue, “ Lines Limits Projections “, The Gallery,
Stratford,Ontario,1977.
Walter Klepack,
Vie des Arts, Spring 1977.
Judith
Tannenbaum, Arts Magazine, June 1976.
Richard Lorber,
Arts Magazine, March 1976.
Carol Sutton,
catalogue essay, Owens Art Gallery, 1976.
Lawrence
Alloway, Artforum, October 1975.
William Tucker,
Studio International, May / June 1975.
William Tucker,
exhibition catalogue, “ The Condition of Sculpture “, The
Hayward Gallery, London, 1975.
Edward Walker,
Arts Canada, August 1973.
Roald Nasgaard,
“ Four Sculptors “, Arts Canada, August 1973.
Peter Wilson,
The Globe and Mail, February 1971.
A. Del. Castillo
”Salon de Mayo” Diario de Barcelona, June 1968.
Public
Collections
The Art Gallery
of Ontario, Toronto.
The Art Gallery
of Hamilton, Hamilton, Ontario.
The Edmonton Art
Gallery, Edmonton , Alberta.
Museum of Fine
Arts, Boston,
The Canada
Council Art Bank, Ottawa.
The Agnes
Etherington Art Centre. Kingston, Ontario.
The Douglas
Duncan Collection, National Gallery, Ottawa.
Innis College,
University of Toronto.
The Art Gallery
of Windsor, Windsor, Ontario.
The City of
Barcelona, Spain
The Winnipeg Art
Gallery, Winnipeg , Manitoba
La Rectoria,
Sant Pere Villamajor, Barcelona, Spain
Lakehead Art
Gallery, Thunder Bay, Ontario
Robert
McLaughlin Art Gallery, Oshawa. Ontario
Art Gallery of
Nova Scotia, Halifax
Musėe d’art
contemporain, Montreal
Mendel Art
Gallery, Saskatoon, Saskatchewan
University of
Lethbridge Art Gallery, Lethbridge Alta.
York University,
Dept. of Fine Art, Toronto, Ontario